Cosmic
dance
The old donkey who was transporting goods in India was
traveling on the snowy mountain road with his donkey pack team when he met his
old acquaintance Agudengba. Agudengba and the old donkey chatted about Indian
religion, culture and Lord Shiva. legends.
The old donkey told Agudengba:
If you look through the religious, philosophical, artistic, and
scientific works in the Western world, an image will appear repeatedly, which
is the dance of Shiva. Shiva is one of the three main gods of Hinduism and the
king of the universe. The dance of Shiva is the dance of the universe.
In a certain sense, the cross is a symbol of Christianity and
the crescent moon is a symbol of Islam, so the Dance of Shiva is a symbol of
Indian culture. The dance of Shiva can be a winding path into the fascinating
and colorful Indian culture.
According to a modern concept of history and ideological
evolution, human thought has evolved from primitive witchcraft, to polytheism,
to monotheism, to science and philosophy. The iconography related to the
evolution of this thought corresponds to the bizarre images of primitive
witchcraft, to the rational images of polytheistic religions, to the abstract
images of monotheistic religions. From these two aspects, the Dance of Shiva is
not only a weird image of three eyes and four arms that is connected with
primitive witchcraft, but also presents a polytheistic idea. Therefore, using
the dance of Shiva as a symbol of Indian culture has raised a series of
problems for scholars around the world. But it is these troubles that allow us
to understand Indian culture from India’s own perspective.
The old donkey began to tell the historical origin of Shiva’s
Dance:
The origin of the image of Shiva's dance can be traced back to
3000 BC. At least in the 5th century BC, this image of the dance king with
various images that has been passed down to this day was formed. Look at Shiva,
the dancing king of the universe. He wears a fan-shaped feather crown on his
head. His hair is as hard as vertebrae and as soft as ribbons. It spreads out
beautifully on both sides. His face has three eyes and his hands are four arms.
He is burning a circle of flames. dancing gracefully in.
In the Indian concept, the universe is constantly being born
and destroyed. Different myths all tell the story of this Indian cosmic
consensus. In the myth of Brahma, when Brahma wakes up from his sleep in the
morning and opens his eyes, the universe and everything comes into being. At
dusk, when Brahma falls asleep and closes his eyes, the universe enters
destruction. In this way, one day in Brahma is the creation and destruction of
a universe in the world. Brahma wakes up and sleeps, sleeps and wakes up again
every day, and the universes are constantly being reborn, destroyed, and reborn
again. However, one day in Brahma is equal to 4.32 billion years in this world.
The movement of the universe from birth to destruction is regular and rhythmic,
which is also reflected in the dance of Shiva. The rhythm of Shiva's dance is
the rhythm of the universe. Therefore, Shiva is the dance king of the universe.
The basic characteristics of Shiva's dance are "creation,
maintenance and destruction."
Shiva, as the main god, ascends the throne of Hindu temples
together with Brahma and Vishnu. For Indians, the universe is in constant birth
and death, and its operation includes three basic characteristics: creation
(the universe is created), maintenance (the universe maintains itself), and
destruction (the universe is destroyed), so there are three main gods. : Brahma
is mainly about creation, Vishnu is about preservation, and Shiva is mainly
about destruction. Here, the Indian logic is presented. Brahma and Shiva
overlap, but the focus is different. The creation of the universe means that
there is no universe yet and needs to be created, so Brahma highlights the
birth of the universe from nothing; the destruction of the universe means that
it will be re-created, and destruction is linked to regeneration. Therefore,
Shiva is the god of destruction and at the same time the god of regeneration.
Therefore, Shiva's dance is a dance that combines the three
characteristics of the universe. Shiva dances in a circle filled with fire,
which is the universe. The neat flames on the edge of the circle, on the one
hand, show the inevitable direction of the universe: toward destruction, and
destruction is the most prominent feature of Shiva among the three main gods;
on the other hand, it shows the rhythm of the universe. In the dance of Shiva,
the flames burn rhythmically, showing the order of the universe.
If the movement of the universe is like a dance, then the
diversity of the universe also presents the diversity of dances. Shiva, as the
ancestor of dance, can dance 108 kinds of dances. 108 is a sacred number in
Indian culture. It can be said to be both a symbol of infinite "many"
and a shorthand for infinite "many". These 108 should be further
classified into basic categories, which can be divided into soft dances
belonging to women and vigorous dances belonging to men. The highest state of
dance is bliss. Therefore, what Shiva is best at is the blissful dance in the
state of bliss.
The old donkey told Agudengba:
Shiva, the Lord of Dance, is said to have performed six dances,
each expressing a specific aspect of his being. The Dance of Bliss is the
seventh dance he dances and is considered the most auspicious.
Shiva, the Lord of Dance, has a third eye on his forehead. His
right foot steps on Apasmala, the personification of "ignorance", and
supports his body to maintain balance. The two arms above are stretched out to
both sides, and the right hand holds a bronze drum. The bronze drum represents
the rhythm of the cosmic dance, and the cosmic dance symbolizes life or
creation, which is what Shiva is in charge of.
The right hand under Shiva is in the fearless posture, which
bestows peace to its worshippers and also represents his ability to maintain
the universe. The upper left hand holds a flame. This most important force of
nature represents his destructive side. The lower left hand makes an elephant
gesture and points to the left foot. Lifting the left foot to perform a dance
movement is also a sign of liberation for the soul. This form of cosmic dance
implies his five great characteristics: creation, protection, destruction,
elimination of ignorance and bondage, and liberation of the soul.
Shiva, the Lord of Dance, wears tiger skin garb, fastened by a
wide belt studded with jewels and tied at the waist. Wearing earrings, plain
necklaces, bracelets, bracelets, rings, anklets, and a snake wrapped around his
right arm. Wearing a bun crown with skull ornaments on it. The hairstyle is
fan-shaped, with a crescent moon on the left and Ganga, the goddess of the
Ganges, on the right.
At the feet of Lord Shiva, Apasmala is holding a snake in his
left hand, showing a fearful expression. He is wearing knee-length trousers,
wrist bracelets, arm bracelets, anklets, belts, necklaces, large disc-shaped
earrings and Headband.
In order to give Agudengba a more vivid interpretation, the old
donkey danced the dance of bliss and sang the "Song of Paradise":
Ah, let us dance
the blissful dance together,
Ah, let us sing
songs of bliss together.
We follow the
dance steps of the great god Shiva,
Gaze at Shiva's
fan-shaped feather crown.
The skull in the
feather crown,
Symbolizing life
and death on earth;
The crescent
moon in the feather crown,
A metaphor for
life and rebirth in heaven;
And the winding
giant snake,
Symbolizes the
power between heaven and earth.
The earrings on
both ears swayed from side to side,
Responding to
natural rhythms and music.
Fan-like
vertebrae swaying in the music and dance,
The locks of
hair are slowly sliding down,
It is divided
into seven branches along the hair.
It was the
arrival of the beautiful goddess Ganges,
Let me feel the
Ganges water coming from heaven.
Ah, let us dance
the blissful dance together,
Ah, let us sing
songs of bliss together.
The waves of the
holy river are slowly flowing to the world,
The Ganges water
is purifying our souls.
Taking the legendary wise Agu Demba as the protagonist, I started to create the Chinese-English version of "Snow Land Fable" using the traditional fable creation method that combines poetry and prose. Writing fables makes me feel like a child again. Studying snowy culture is my prescription to prevent Alzheimer’s disease.
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