The charm of Yuan Dynasty
opera
When Dorji took his daughter Yadan and
chatted with Agudenba, Dawa, Azhuo, Chu Sanxing and Xiang Qima on the bank of
the Irrawaddy River in Myanmar, Dorji talked about Mongolian dance. Dorji is a
famous local musician who founded Naypyitaw Song and Dance Ensemble.
Chu Sanxing's wife Xiang Qima said to
Duoji: I have read some Tang poetry and Song lyrics, but I don't know much
about Yuan opera.
Dawa also hoped that Duoji would tell him
something about Yuan Dynasty opera.
Dorje said:
Yuan Dynasty opera refers to operas created
and performed during the Yuan Dynasty in China. The Yuan Dynasty was an
important period in Chinese history, in which opera culture was an important
part of the culture of the Yuan Dynasty. Yuan Dynasty opera has important
historical significance and cultural value in the history of Chinese opera.
Yuan Dynasty opera not only broke the traditional opera performance form in the
past, but also influenced the development of opera in the Ming and Qing
Dynasties.
The origin and development background of
Yuan Dynasty opera are closely related to the historical background of the
establishment and rule of the Yuan Dynasty. The Yuan Dynasty was established by
the Mongols, who actively advocated multicultural exchange and integration when
they ruled China.
The Mongolian rulers absorbed the cultural
elements of the Han, Southern Song Dynasty, and West and Central Asia, which
provided a broad cultural soil for the development of Yuan Dynasty opera.
The Mongolian people have their own folk
arts, such as folk songs, dances and circuses. These art forms played an
important influence on the development of opera in the Yuan Dynasty.
During the Yuan Dynasty, people from
different regions and nationalities gathered in the capital, which is now
Beijing, and it became the center of cultural exchanges. Opera performers,
musicians, writers, etc. from all over the country gathered in Dadu, and the
exchanges between them promoted the innovation and development of opera art.
The Yuan Dynasty was an important turning
point in Chinese history. The Mongolian rule and changes in the political
system brought about changes in the social structure. Opera has become an
important form of entertainment and cultural pastime for all levels of society,
and has also become an art form that expresses social emotions and thoughts.
Dorje continued:
Yuan Dynasty opera originated from the
lyrics of the Southern Song Dynasty. After the development and innovation of
the Yuan Dynasty, it formed its own unique artistic style. Yuan opera is
characterized by lyricism, delicacy, profound artistic conception, and a high
degree of literary and artistic quality.
Peking Opera is a form of opera developed
in the Qing Dynasty, but its predecessors can be traced back to Qin Opera and
Han Opera in the Yuan Dynasty.
Peking Opera uses singing, chanting, acting
and fighting as its main performance methods. Its music, dance and performance
have extremely high technical level and artistic value.
Zaju is an important form of opera in the
Yuan Dynasty. It is characterized by being relaxed, humorous, and full of
comedy, and it integrates various performance forms such as singing, dancing,
acrobatics, and rap, showing rich artistic charm.
Mancai is a short and concise form of opera
in the Yuan Dynasty, and it is a pure rap art. The content of the comics is
mostly funny and humorous, showing characteristics such as comedy and satire.
In addition to the above forms, there are other forms of Yuan Dynasty opera,
such as Kun Opera, Qin Opera, Hebei Bangzi, etc. The performance
characteristics of Yuan Dynasty opera are unique. Yuan Dynasty opera adopts a
comprehensive form of four performance methods: singing, reading, acting and
playing. When performing, actors must not only sing the characters' lines and
songs, but also read narration and commentary. Physical movements and dance
performances are performed at the same time, and percussion instruments and
music performances are also required. This comprehensive performance form makes
Yuan Dynasty opera rich in expressive power and dramatic tension.
When asked Qima about the artistic
characteristics of Yuan Dynasty opera, Duoji said:
Yuan opera is one of the representative
forms of opera in the Yuan Dynasty and has a unique artistic style. Yuan opera
focuses on emotional expression and delicate description. Through euphemistic
and touching words, soft and melodious melodies, and delicate and vivid image
descriptions, it shows the profound emotions and rich inner world of the
characters.
Yuan opera is famous for its beautiful
lyrics and profound artistic conception. The works incorporate rich literary
elements and use rhetorical techniques, couplets, imagery and other techniques
to demonstrate a high degree of literary artistry. Yuan opera also pays
attention to the use of music, with beautiful melodies and graceful tunes. When
singing, the tone is changeable. When it is sad and sad, it will be slow and
lingering. When it is happy and lively, it will be bright and smooth. The
melody and emotion echo each other. Yuan Opera innovated in the art form and
introduced new performance techniques and techniques, such as allegro, trick
play, percussion instruments, etc., which enriched the expressive power and
dramatic tension of the opera. The stage performance of Yuan Opera is lively
and lively. The actors use dance, movement and body performance to show rich
body language and stage charm.
Dorje added:
Yuan opera has a wide range of themes,
including historical stories, legends, myths, folklore, etc. The characters are
rich and diverse, including monarchs and ministers, women, palace maids,
generals, etc. Each character has a distinct personality and characteristics.
Yuan Dynasty opera focused on stage art,
costumes and makeup in terms of artistic expression techniques. The stage art
in Yuan Dynasty opera focused on the arrangement of scenes and the construction
of backgrounds. The stage background often uses three-dimensional structures,
curtains and screens, etc., to create various specific scenes, such as palaces,
courtyards, landscapes, etc., through painting, sculpture, hanging objects,
etc., so that the audience can be immersed in the scene and enhance the
artistic appeal of the opera. .
The costumes in Yuan Dynasty operas are
famous for their colorful, gorgeous and luxurious costumes. Actors' costumes
use different materials, styles and accessories according to the character's
identity, gender, age and social status to show the characteristics and image
of the character. For example, the costumes of monarchs, ministers, officials,
generals, women and other characters have their own unique characteristics,
which leave a deep impression on the audience.
Makeup is very important in Yuan Dynasty
operas. Actors use makeup to shape the image and characteristics of their
characters. Different characters have different makeup methods. For example,
red makeup represents happiness, black makeup represents sadness, white makeup
represents sinisterness, etc. Makeup highlights the personality and emotions of
the characters through the use of fine paintings and colors, allowing the
audience to better understand and feel the storyline of the opera.
The props in Yuan Dynasty operas are rich
and diverse, such as swords, fans, flowers and birds, etc. The use of props is
closely coordinated with the actors' movements and performances. Through the
dynamic use of props, the identity of the characters and the development of the
plot are highlighted, enriching the artistic effect of the opera.
Dorji told Agudenba and Dawa: The Naypyitaw
Song and Dance Troupe I established now is mainly about singing and dancing,
but it will also study and add some Yuan Dynasty opera elements, and strive to
improve the appeal and appreciation of some songs and dances with opera art.
sex.
Duoji's daughter Yadan sang a Yuan song
"Recalling Bai Pu":
Yuan
opera, Tang poetry and Song lyrics are both popular.
Each
tune has a fixed rhythm.
Every
time I read Bai Pu’s masterpieces of Yuan Opera,
It
was like a spiritual feast for me.
The
dramatist Bai Pu remained in office his whole life.
But
he is one of the four great masters of Yuan Opera.
I
often stand in front of the window and remember Bai Pu,
He
will tell me the seasons.
The
warm sun and wind in the spring mountains,
Lingan
pavilion curtains,
Willow
swing in the courtyard.
Orioles
are singing and swallows are dancing, and the flowing water on the small bridge
is red.
The
clouds gather and the rain passes and the waves add,
The
building is high, the water is cold and the melon is sweet,
Green
trees shade the hanging eaves.
The
gauze kitchen is covered with rattan mats, and the beauty’s fan is light.
The
setting sun fades over the isolated village,
Jackdaws
in old trees with light smoke.
Under
the shadow of a little Feihong.
Green
mountains and green waters, white grass, red leaves and yellow flowers.
There
was a sound of drawing horns and calling the door,
The
new moon dusk in the middle of the courtyard,
The
waterfront in front of Snow Mountain.
There
are bamboo fences and thatched cottages, an isolated village with faint smoke
and decaying grass.
Fermented
fermented grains are responsible for the ups and downs of the ages.
The
song is buried in thousands of feet of rainbow.
If
there is wine today, I will be drunk today.
And
there are only limited cups in front of the bottle.
I
remember Bai Pu at the place where my heart is broken,
The
years are passing away like a stream.
Unparalleled
fame is always in vain,
Wealth
is like a butterfly on a flower.
Taking the legendary wise Agu Demba as the protagonist, I started to create the Chinese-English version of "Snow Land Fable" using the traditional fable creation method that combines poetry and prose. Writing fableskes me feel like a child again. Studying snowy culture is my prescription to prevent Alzheimer’s di masease.
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